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2025 Banyan Review Poetry Prize Winner

The Clearing

~ Los Angeles, after the January 7th fires

 

Funny to think how new I felt coming out of class that day,

Flush from the ballet rigors, sweating down the sidewalk—

A manzanita in bloom ready to begin again. I looked to the sky,

To the speaking gull passing, and beyond her an alien 

Billowing mouth of dun and charcoal signs. I am remembering 

This while fumbling to clasp a bronze bracelet given to me 

After because everything was lost, of course, the ungrace

Of this catastrophic state I lean into, searching the singed box

Found in the smoking ruins, sifting for recipes, for favorites 

Of ancestors where conversation flows more freely with 

The dead. All that I dream, more familiar since flames 

Leveled our former life, the taste of newfound nothingness

Rendered sharper by bones, sinew, and cherry port—it rocks me 

Gently, this bracing tonic poured over the lot. We visited it 

Last night. I watched you walk across like an astronaut sinking

Six feet into ashen muck. I’m walking on the roof! you cried,

Disappearing into morbid glitter, into satin aftermath—moonglow 

Sifted over every beautiful thing, a lunar reduction. It looks like 

Sunlit snow, said Buzz Aldrin when he first touched boot soles 

To it. Your pupils close down, he said. Like layers 

Of our lives contracting, we forget what has been, the record 

Of the earth. I thought Sometimes the sky’s too bright, then 

Everything upside down turns black. How can the moon be shining 

If we are standing on it? I asked you, my underworld husband,

My confection. Let’s concentrate on where we are now—

Our cake of ambient people falling through rooms, through years 

Collapsed to one luminous moment. I see you in the house, 

There in our antique bed, your head between my legs 

In the drowsy hours, our children chasing the dog, 

Laughing at cartoons wrapped in Saturday morning 

And blankets woven by aunties. Now I’m stirring 

A kettle of Coq au Vin in my best blue overalls. 

The hair at our temples glints of spare gray. Now 

I’m watching you pull a cake from the oven, 

The steaming gold dome of sherry and nutmeg batter—

It sweetens the rafters worn bare by love and rage. 

In the end we found our magnificent desolation 

And a way to see the stars through wars, 

Through family demons and orbiting fires 

The world performs around us on a horizon clearly 

Curving away like a smile in an unknown language.

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2025 Prize Winner Michelle Biting.jpg

Michelle Bitting was recently named a City of L.A. Department of Cultural Affairs Individual Artist Grantee and is the author of seven poetry collections, including Nightmares & Miracles (Two Sylvias Press, 2022), winner of the Wilder Prize and named one of Kirkus Reviews 2022 Best of Indie. Her chapbook Dummy Ventriloquist was published in 2024 by C & R Press. Recent poetry appears on The Slowdown, Thrush, Cleaver, The Poetry Society of New York’s Milk Press, Heavy Feather Review, Split Lip, National Poetry Review, SWWIM, ONE ART, and is featured as Poem of the Week in The Missouri Review. Her forthcoming collection Ruined Beauty will be published by Walton Well Press in Spring, 2026. Bitting is writing a novel that centers around Los Angeles and her great grandmother, stage and screen actor Beryl Mercer, and is Senior Lecturer in Creative Writing and Literature at Loyola Marymount University.

A Note From danilo on Selecting the 2025 Poetry Prize Winner

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"I distinctly remember walking in the Brooklyn cold in the days following the Los Angeles fires. I was bundled in layers and wearing my big blue over-ear headphones to listen to Vibe Check, which at the time had two hosts based in the LA area. They were both okay. They talked about their go bags and I thought about what would be in mine. I wrote a poem when I got home. 

 

Many months later, reading “The Clearing” transported me back into that moment and its “satin aftermath,” which remains timely in our shared reality of climate catastrophes. This highly sensory poem takes place after the ceiling becomes a floor of “ashen muck,” as lineages lost and found emerge from the upside-down.The poem time travels and glides between earthly and astronomical. Moon prints, recipe cards, and poems themselves all ask what we keep and how. Indeed, what is revealed in the clearing? What is reflected in the “morbid glitter? Reading, you can smell the fires, but also the hot scent of sherry and nutmeg batter being turned into cake in the oven. It lingers like the warmth of this poem."

2025 Banyan Review Poetry Prize Finalists

Read Their Work in the Upcoming Issue Nov. 21st.

“After H(Ours)”, Michelle Alexander

“Barrell Children”, Nikema Bell

“Luminaria”, Emily Iris

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Honorable Mentions:

“Queer Alchemy”, Orlantae Duncan

“Setting the Table” Joan Muller

“Discussion Points”, Tori Sharpe

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Danilo Judge photo.jpg

Photo Credit: Charlie Marie Kohl

danilo machado (he/they) is a poet, curator, and Leo living on occupied land, interested in language’s potential for revealing tenderness, erasure, and relationships to power. A 2020-2021 Poetry Project Emerge-Surface-Be Fellow and 2024 NYC Poets Afloat Fellow, their writing has been featured in Poem-A-Day, Hyperallergic, Art in America, Art Papers, Futch Magazine,The Recluse, GenderFail, among others. They are the author of the collection This is your receipt and is not a ticket for travel (Faint Line Press, 2023) and the three chaplets as part of the Ghost City Press Summer Series (2022-24). They are the author of the Post Post Post newsletter on Substack and, with Charlie Marie Kohl, co-founded exquisites, a queer reading, workshop, and anthology series. danilo currently serves on the Board of Directors for No, Dear Magazine and co-organizes The Long Poem Support Group with Ry Cook. Additional collaborative curatorial projects include the exhibitions to hold a we (BRIC, 2024), Any place I hang my hat is home (Bullet Space, 2024), and Eligible/Illegible (PS 122, 2023). They are working to show up with care for their communities. More at @queershoulders.

Special Thanks

The Banyan Review extends a heartfelt thank you to the writers for their submissions, the 2025 judge, and Tayve Neese, The Banyan Review founder, who started awarding the poetry prize in 2020

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